Professional photographer

Why I Don’t Offer a “Season Pass” — And Why That’s Intentional

Why I Don’t Offer a “Season Pass” — And Why That’s Intentional

Every season, I see new ideas and models pop up in the rodeo and equestrian photography world. One that’s been floating around recently is the “season pass” model—a prepaid package that guarantees riders a set number of images per event across the entire season.

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A Rare Wedding Day Behind the Lens

A Rare Wedding Day Behind the Lens

It’s not often that I step away from the barn and into the world of weddings. As an equine photographer, my usual subjects are four-legged, hay-loving, and prone to sticking their noses in my lens. But every so often, the right opportunity comes along—and I say yes.

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The Sponsorship

The Sponsorship

Sponsorships aren’t something I throw around lightly. Let’s be honest—running a small photography business, especially one rooted in fine art and storytelling, isn’t exactly a get-rich-quick operation. Every dollar I spend is intentional. Every investment has to mean something. And this? This means a lot.

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The Intentional Art of Exposure One Studios

The Intentional Art of Exposure One Studios

Artistry. Intention. Experience.

I’m Tiffany, the founder and creative force behind Exposure One Studios—a studio built not just on passion, but on years of craft, discipline, and the desire to create images that are more than just photographs. I specialize in equine, fine art, and intentional portraiture, and I’m not here to follow trends. I’m here to tell real stories.

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Riding for a Cause, Shooting in Chaos

Riding for a Cause, Shooting in Chaos

There’s a certain kind of show that reminds you why you picked up a camera in the first place. Not because everything goes right — but because something bigger is happening, and you get to witness it.

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A Mark of Meaning — The Story Behind My New Crest

A Mark of Meaning — The Story Behind My New Crest

Designing a crest for my business wasn’t something I took lightly. It wasn’t just about adding a graphic to a card or watermarking an image—it was about creating a symbol that represents who I am now, and who I’m becoming as an artist.

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